Up The River -- With A Paddle This Time

Happy Summer (or winter where some are) Magnum Fans! After 6 months to the day of no work, I started last week on a fantastic new TV production called "The River." The what?? Well, 7 years ago people were saying what's "LOST??" It's a new series (mid-season January 2012) from Dreamworks (aka Steven Spielberg) and Disney. They have kept the lease on the Hawaii State Film Studio for another year after "LOST" and the recently cancelled "Off the Map." I have joked that on our show they are both lost and off the map as part of the plot so we are sure to be a hit! I believe there is a trailer on youtube that gives a little background to the story. I will say this, there is nothing like it on TV today and if you're tired of shows that have lots of abbreviations in the title (S.U.V., N.C.I.S., C.S.I. or even 5-0) this will be a real change. I've seen the pilot twice at the studio and I can pay it the highest compliment, I would actually watch this show!

The next great thing I can say is that the people I am working for are fantastic! Talented, creative, respectful, willing to listen and work things out and SMART enough to hire all of us who were fired off of "5-0" after 12 episodes. As a postscript to that, none of the people who replaced us are back for season 2......but enough on that dirty laundry.

So what does this have to do with Magnum? Well, the soundstage where all 8 seasons of Magnum were filmed is now the home to the set dressing warehouse! It's funny opening that same old metal door that still sticks and walking into that building each day. Unfortunately the building is no longer air conditioned and even with fans blowing, it's over 100 degrees in there by noon. The building is still divided by a wall that separates the back 1/3 for State owned set dressing from our front 2/3. but it is also one of the best collections of set dressing we've ever had--of course it's all technically owned by Disney. Other than a little of the falling insulation from the ceiling, there is really nothing left from Magnum days of interest. It's funny, though, because I can still remember seeing fog on the little window in that sticking metal door we all came through dozens of time a day because it was always so cold on that soundstage. They had to turn off the air conditioning whenever they yelled "rolling" because it was so noisy. So they kept it extra cold so when it was off the actors wouldn't cook in front of the lights.
Thanks again for all your kind thoughts, wishes, prayers, and encouragement! It was 28 years ago this month I got the call to work on Magnum full time and being back at the studio where it all began for me and looking forward to working with great people is a great feeling!

OMG - A Big Blog Blast!!

Thanks again for your continued comments about me and the show. I do have some news and pictures to share.

One of our loyal fans who built his own model of the Bridge on the River Kwai sent me these screen grabs from the episode where Tom blows up Higgins' model. As you may recall from an earlier post, I built 3 versions of this model for the show when I was still working up the hill at what's now Diamond Head Theatre as their last resident designer. There was the just started model, the halfway there bridge, and finally the completed one. I was there just off camera when they filmed the scene with Higgins building it. He'd go to place a piece and then they would yell "CUT" and I would take it off, wipe off the glue and get another piece ready. Sure glad I spent 7 years in college for that one!

I wasn't there when they filmed the scene with Tom blowing it up. Well, actually Jack Faggard, the special effects coordinator, did the actual explosion. These screen grabs are great since it really shows the pieces being blown up in the air. What I don't actually know for sure (and yet can still sleep at night) is who built the model they really did blow up? My guess is they completed more of the half done model and blew that one up. The reason I think that is that when I did start working on the show full time in season 3, my Higgins' model was already established on one of his bookcase shelves. Also don't know when the decision was made to place my completed model on the set as permanent dressing.

Well, I hope the gentleman who bought my invoice for the bridge sees these photos. When I was selling off anything I had left from the show on ebay, one person purchased my copies of the invoices I'd sent to the show for building the bridge and a couple of other things and framed them all together. Don't forget you can click on any of the pictures to make them larger. I blew them up a bit and corrected the colors.

Next bit of news for those of you with $10-15 million or so that you don't know what to do with. The estate where the pilot of "Magnum" was filmed (not to be confused with the Anderson Estate where the series exteriors were sometimes filmed) is being sold again. The estate had been owned by the State of Hawaii for decades, then a division of the Teamsters Union (another interesting story best told over a mai-tai) and finally a private owner is now for sale. The man who bought the estate in a very sad condition and spent many millions restoring what was one of the grandest estates ever built in Hawaii (for Clarence Cooke in the 30's) is having to sell it. I did get to tour it last year and gave him photos of some of the sets I had done in the house over the years (sorry, all post "Magnum"). The room with the brick where they did the first Higgin's den is there along with what became the drive-up and entry for Rick's Bar (aka Kamehameha Club) all look fantastic. He also restored the pool house, pool, servants quarters, all the decorative tile on the lanais and put in a kitchen any 5-star restaurant would envy.

The line is amazingly short for those who want to purchase it so you still have time to think about it. I may have some other news soon about my lack of career since "Alvin 3" ended in January. I did join the film board at the Honolulu Academy of Arts--the main film art house in Honolulu at the Doris Duke Theatre. Hope you're all having a great summer! Aloha.

Even Happier New Year!

Ok, my thanks to whoever is doing all that praying or whatever on my behalf because it's been working! After being ignored for the decorator job on a surf film about Bethany Hamilton and then turning down a 2 week job as their shopper buyer, I was asked to be the art director for a national Capital One ("What's in your wallet?") commercial with those wild and crazy visigoths. You'll probably be seeing the commercial in a few weeks. I worked 11 days, hired 9 guys, filmed 2 long days for 30 seconds of air time. We were based out of the same hotel as the surf movie and even another Capital One commercial for the Canadian market. It was a completely separate commercial and crew but for the same client. It's funny that several of them said how spoiled TV people were because commercials are so fast paced now. Then TV people think film people are spoiled because TV is so fast paced. Film people think TV people are spoiled because they don't have to worry about all the details of "The Big Screen." My take is to just shut up and do my job.

Right now besides "LOST" there is a George Clooney film, an Adam Sandler film, the surf film, and early rumblings from "Pirates of the Caribbean" filming here this summer and my phone wasn't ringing at all. Then 10 days ago I got a call to interview as Set Decorator for a new pilot for CBS's "Hawaii Five-0" Wow, that will teach me not to believe rumors. Lest you think I was a shoe-in because of my experience here, wrong. It wasn't until I was able to show my work online at www.flickr.com/photos/rick_romer/ that I was seriously considered. Then it took some discussion and another meeting before I was offered the job.

This is just the pilot. It has not been pre-sold or picked up yet--or so we are told. However, the script is absolutely amazing and riveting. Remember, I did another 5-0 pilot in '96 or '97 that never even aired (although it probably did help Gary Busey's career on Celebrity Rehab) so I am cautiously optimistic on this one. Daniel Dae Kim is going right from "LOST" into 5-0 as the character Chin Ho Kelley. Well, if they can revive "Hawaii Five-0" can a revival of "Magnum, P.I." be too far behind? There was only a year between the series after all.

I wasn't going to, but I got talked into seeing "avatar" in 3-D imax. I don't often say OMG, but OMG! I was ducking under those palm fronds in front of me during every chase scene. Nothing stayed inside the screen, it was right in front of me. I decided that it wasn't a film at all. It was an event. I came out of the theatre covered in popcorn and wanting to keep my yellow 3-d glasses on for the rest of my life. Go Blue People!

Well, Aloha from the only state that didn't have snowfall this weekend. I do assume there is snow on top of Mauna Kea, though. You have to drive up 14,000 feet to see it instead of outside in your driveway.

Aloha, Rick